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Telefilm Canada announces key changes to the Canada Feature Film Fund in collaboration with the Working Group for the English-language market
Montreal, October 23, 2006 -Telefilm Canada today released
key changes to the Canada Feature Film Fund (CFFF) for the English-language
market, following consultations with the CFFF Working Group for the English
market. Changes are to go into effect for 2007-2008. The English Working Groupcomposed
of 18 Telefilm and industry representatives in production, distribution, exhibition
and broadcasting, and from unions, guilds and governmenthas been working
intensively since May of this year to bring the Fund more in step with market
realities. Telefilm is also working with a French Working Group on creating
counterpart solutions.
"We count on the industry, through the Canada Feature Film Fund Working
Groups, to find the best way for our programs to be relevant and in line with
the industry's needs," said Wayne Clarkson, Telefilm Canada's Executive
Director.
"By collaborating with the two Working Groups, we are ensuring that the
CFFF is more efficient and effective, responds to the specific needs of the
English- and French-language markets and continues to support a diversity of
films.
"On the English side, the industry's new synergy is starting to pay off;
we are definitely on a kind of cinematic roll with the recent success of Water,
Bon Cop, Bad Cop and Trailer Park Boys: The Movie. And the best part
is we still have a lot of good movies to come this year."
Changes to the English CFFF guidelines for 2007-2008
The latest changes for the English market follow on the heels of other initiatives
this year to build success for English-language cinema. Of note, Telefilm eliminated
national deadlines for English-language projects. The elimination of deadlines
better allowed the industry to work with Telefilm in developing their projects,
and allowed the Corporation to better recognize the specific challenges of deal-making
in this language market.
In addition, Telefilm worked with the industry through the Feature Film Focus
Group and Creative Immersion this year to help foster a more collaborative environment
for success in the English-language market.
1. Production performance envelopes will be awarded to the top 15% of films
earning a minimum of $500,000 in box office
The new threshold, which is more in step with market realities for English
Canadian cinema, will encourage new players to access the envelope system.
2. Introduction of performance development envelopes of up to $150,000
Companies achieving success at the box office, but not earning a sufficient
envelope for ensuing production (less than $750,000), will receive the benefits
of an envelope for use in the development of subsequent projects. This change
both maximizes the efficiency of the production performance envelopes-by ensuring
that production performance envelopes are large enough to significantly contribute
to production financing-and provides greater autonomy for producers not reaching
this bar to develop new projects.
3. Eligible feature-length documentaries now qualify for production performance
envelopes of up to $1 million
This move recognizes the performance of Canadian feature-length documentaries
that achieve success at the domestic box office. This is in line with the recommendation
by the Standing Committee that a revised feature film policy recognize long-form
documentaries.
4. Greater autonomy for distributors to commit resources based on market
realities
Telefilm will award distribution envelopes to all qualifying companies by eliminating
the previous minimum cut-off of $500,000 for marketing activities.
Developing and promoting the Canadian audiovisual industry
Telefilm Canada is a federal cultural agency dedicated to the development and
promotion of the Canadian audiovisual industry. Telefilm provides financial
support to the private sector to create distinctively Canadian productions that
appeal to domestic and international audiences. The Corporation also administers
the funding programs of the Canadian Television Fund.
-30-
Media inquiries:
Douglas Chow, Deputy Director, Strategic Communications
(514) 283-6363 or 1-800-567-0890, chowd@telefilm.ca
Canada Feature Film Fund Working Group
English-language market
Members
| |
Name
|
Title
|
Company / Organization
|
|
Production sector
|
Sandra
Cunningham
|
Producer
|
Strada
Films
|
|
Steve
Hegyes
|
Partner
|
Brightlight
Pictures
|
|
Danny
Iron
|
Producer
|
Foundry
Films
|
|
Paul
Pope
|
Producer
|
Pope
Productions
|
|
Kevin
Tierney
|
President
|
Park
Ex Pictures
|
|
Distribution sector
|
Brad
Pelman
|
Co-President
|
Maple
Pictures
|
|
John
Fulton
|
Executive
Director of Distribution
|
TVA Films
|
|
Ted East
|
Executive
Director
|
CAFDE
|
|
Exhibition sector
|
Michael
Kennedy
|
Executive
Vice President Programming
|
Cineplex
Entertainment
|
|
Stuart
Fraser
|
President
|
Empire
Theatres
|
|
Unions / Guilds
|
Pamela
Brand
|
National
Executive Director
|
DGC
|
|
Maureen
Parker
|
Executive
Director
|
WGC
|
|
Steve
Waddell
|
National
Executive Director
|
ACTRA
|
|
Private broadcaster
|
Paul
Gratton
|
Vice
President, Entertainment and Speciality Channels
|
CHUM City
|
|
Public broadcaster
|
Marcela
Kadanka
|
Senior
Director, English Television A&E
|
CBC
|
|
Provincial agencies
|
Kristine
Murphy*
|
Acting
CEO
|
OMDC
|
|
Department of Canadian Heritage
|
Jean-Pierre
Gauthier*
|
Director,
Film Policy
|
Department
of Canadian Heritage
|
|
Telefilm Canada
|
S. Wayne
Clarkson
|
Executive
Director
|
Telefilm
Canada
|
* Non-voting member
Industry observers
|
Production sector
|
Marc
Seguin
|
Vice
President of Feature Film and New Technology
|
CFTPA
|
|
Exhibition sector
|
Adina
Lebo
|
Executive
Director
|
MPTAC
|
Telefilm Canada staff
| |
Elizabeth
Friesen
|
Chief
Operating Officer
|
Telefilm
Canada
|
|
Karen
Franklin
|
Director
– English Operations
|
|
Jacqueline
MacDonald
|
Senior
Policy Advisor
|
|
Richard
Beaulieu
|
Economist
|
|